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Movie Madness

The Beaches of Agnés

Agnès Varda was one of the most playful and imaginative filmmakers of her time, and THE BEACHES OF AGNÉS (2008, 112 min) film captures her style at its most personal.  […]

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The Last Temptation of Christ

THE LAST TEMPTATION OF CHRIST (164 min) sparked global controversy when it was released in 1988. Far more than just a controversy, the film is an insightful and informed exploration […]

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What is Costume? @ PSU

Fabulous frocks and thrilling threads – call them what you will, costume is an important part of the visual language of film. In this 2-hour class, we’ll learn a bit […]

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Penda’s Fen

Through a series of dreams and visions, pastor’s son Stephen Franklin (Spencer Banks) comes to realize that the pious formulas he’s been given—about England, Christianity, and his own sexuality—are hiding […]

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Man With a Movie Camera

Inspired by the Industrial Age and harnessing the potential of movement, MAN WITH A MOVIE CAMERA (1929, 68 min) is an experimental silent documentary by Dziga Vertov. Coming out of […]

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Lagaan: Once Upon a Time in India

Join us as we dive deep into the Oscar-nominated Indian blockbuster LAGAAN: ONCE UPON A TIME IN INDIA (2001, 233 minutes), a tale of rebellion set within the structure of […]

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Becoming the Bat: Cinematic Origins and Influences on Batman @ PSU

Bob Kane and Bill Finger built Batman, Gotham City, and its many weird denizens with more than a little dollop of inspiration from the movies on their way to launching […]

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Aimless Bullet

AIMLESS BULLET (1961, 112 min) is the story of a family’s struggle to adapt to life in post-war Korea. The story follows Cheolho, an overworked accountant trying to help his […]

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An American in Paris with Film Historian Foster Hirsch

Directed by Vincent Minnelli, its score drawn from the extensive George Gershwin catalog, AN AMERICAN IN PARIS (1951, 115 min) was for its time both thematically and formally provocative.  Minnelli’s […]

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What is Sound Design? at Portland State University

Sound in film has a long history of being considered secondary to image, but when we pay attention to how it impacts our experience of movies, we discover how essential […]

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